Thursday night there I teamed up with Gavin, Michael and Liam at Glasgow's Tron Theatre to see the Communicado Theatre Company's production of the late poet Adrian Mitchell's adaption of Nikolai Gogol's classic 1836 play, The Government Inspector. (Check the poem on Mitchell's homepage and you'll get some idea of why this man- whose name was utterly unknown to me before Thursday, has been so lamented: poems like Song in Space could conceivably finally heal the scars inflicted on yours truly- as on so many others, by poetry at school.)Gogol: titan and progenitor
The father of one of the greatest literary movements in world history- the great Russians; of whom Dostoyevsky once said "We all came out of Gogol's 'Overcoat.'"; Gogol's works weren't new to me. A friend had lent me Dostoyevsky's (Memoirs from) The House of the Dead back in mid-80's Edinburgh. Astounded and entranced by the world I had entered, for several years thereafter I read as many of the works of these Russians as I could get my hands on. Dostoyevsky was my favourite and I also sampled Turgenev, Tolstoy and Chekhov as well as Gogol. Later I became fascinated with the Russian revolution- whose conseqences reverberated down through history as strongly as ever back in the 1980's and 90's, and I read up on that subject more avidly even than I had consumed the literature.






Pleasantly satiated on pizza and chocolate pudding and ensconced chez Jo and Mike, we start as we mean to go on: getting down to some gaming. The hour is late and my hosts have early starts because they have jobs to go to, so the star attraction- specially requested by Mike, has to wait for a more appropriate occasion. I decide therefore that the elegant simplicity of 



